Monday, 6 November 2017

Little England: A Review of Foundation: The History of England from its Earliest Beginnings to the Tudors by Peter Ackroyd

"None Shall Pass"

England.  England.  England.  It has roads, waters, grass, and people…

            You know what?  That’s all I got.  Seriously, I didn’t think I would get this far.   You can go home now.  There’s nothing to see here.  We already have a grail.

            Seriously, go, or I’ll need to unleash the killer rabbit on you.  

I warned you...

            I’ve been informed that the above opening is too silly to use in this blog post. Personally, I believe that with the topic at hand, silliness is called for.


            The Medieval period is a time of knights, lords, serfs, and kings.  It often calls on images only reserved for Monty Python and the Holy Grail.  Peter Ackroyd’s Foundation: The History of England from its Earliest Beginnings to the Tudors tells this story (without any reference to Monty Python I mean).  Through the history of Medieval England, Peter Ackroyd is able to present the facts on this era by blending the art of storytelling and historical presentation.  Peter Ackroyd’s Foundation is a book that will both educate and entertain the reader.

Peter Ackroyd
 Summary
            Foundation: The History of England from its Earliest Beginnings to the Tudors tells the story of England, covering a period from the time of early man and hunter-gatherer culture, the influence of Roman and Saxon cultures and the arrival of the Normans to the War of the Roses and the advent of Henry Tudor (Henry VII).  Ackroyd covers the social and political development in this period with the argument that the history of England is “one of continual movement and of constant variation,”[1]  that England was always changing and developing, not in a Whiggish way but that is a starting point and still echoes in contemporary times.

            (I know it sounds Whiggish but it’s hard to avoid it when explaining the flow of history.  It was also this or stopping to talk about Magna Carta, which has the same result.  *sigh* Right, back to the summary.)

            The book opens with the early history of England and the hunter-gatherer culture of regions like Cheddar Gorge and Devon and the Romanization of Britannia through both invasion and cultural exchange.  Ackroyd then goes on to discuss the Saxon invasion, something created through migration and destruction of the indigenous population by bubonic plague, precursor to the 1300s.  Once the Saxons are settled, the reader is given an overview of the new Anglo-Saxon society, such as the use of the Germanic word walh (Saxon for Celtic or Latin speaker) and its use in place names like Wales, Cornwall, Walsall, and Walthamstow.[2]  Ackroyd even mentions certain cultural influences such as the cremation cemetery, where smaller villages like Sancton, Yorkshire, where such forms of burial lasted well into the nineteenth century.[3]  Chapter 7 introduces the reader to William the Conqueror or William the Bastard (not William the Butcher, the Baker, or Candlestick Maker) and it is here we see the medieval world we know.  Readers are introduced to the Feudal System, struggles for power between the king and his lords, pretenders for the throne, the King of France, and (in some cases) the Pope.  At this point, Ackroyd takes the reader through events like the Peasants Revolt, the signing of Magna Carta, ultimately culminating at the War of the Roses and the intervention of Henry Tudor, marking the beginning of the Tudor dynasty.
Saxon Tapestry of a King and his Court
with a man being hanged to the right.
The Writing
            Foundation’s greatest strength is in the writing ability of its author, Peter Ackroyd.  Throughout the book, Ackroyd has an ability to strike that balance between narrative and analysis.  This is never an easy task for any historian.  Even I find it hard to create a post that is both informative and entertaining (goodness knows you guys were probably bored to tears by my essay on the history of one-room school houses in Ontatio!).  One of my favourite parts in Foundation is Ackroyd’s description of William I’s funeral:
The Bayeux Tapestry with
William I in the Centre

When [William I’s] body was taken to the monetary of St. Stephen at Caen for burial body burst, exuding a foul stench that sent the mourners running from the building.  It was, perhaps, a fitting end for one who was already swollen with greed and cruelty.[4]
This morbidly dark yet entertaining excerpt demonstrates Ackroyd’s ability as a writer.  From the previous chapter, the reader is given a picture of the cruelty and averous nature of William I.  (He was a greedy bastard.)  Throughout his rule, William treated England as his cash cow.  He confiscated land from English opponents and raised with heavy and sudden taxation, documenting all taxable items in what is known as the The Domesday Book.  Ackroyd draws a poetic parallel between William I’s swelling wealth in life and his swollen carcass in death.

The Layout
            In addition, the layout of Foundation allows for the reader to smoothly transition throughout each section of the book.  Ackroyd arranges his thoughts intricately, each one leading into the next with a flawless stroke.  One moment the you’ll be reading about the landing of William the Concquror, his Norman army and their victory against King Harold’s Saxon forces, the net you’ll be reading about King John “Lackland” signing Magna Carta at Runnymede.  The secret to Ackroyd’s brilliance is in how he alternates between the political and social developments in a neat and clear fashion.  This alteration between these two historiographical topics allows for the reader to understand the context before Ackroyd begins on the next major topic.
Artist impression of King John signing Magna Carta
at Runnymede.

Conclusion
            In conclusion, Peter Ackroyd’s Foundation: The History of England from its Earliest Beginnings to the Tudors is worth checking out.  Ackroyd’s wit cuts through the shadows of the “Dark Ages” to provide an illustrated narrative that both entertains and informs readers.  Therefore, I highly recommend readying Foundation by Peter Ackroyd to anyone who is interested in reading about Medieval England.





Sources:
Ackroyd, Peter. Foundation: The History of England from its Earliest Beginnings to the Tudors. New York: Thomas Dunne Books. 2011.

Gilliam, Terry, and Terry Jones, dirs. 1975. Monty Python and the Holy Grail. Film. EMI/Python Pictures/Michael White.


[1] Peter Ackroyd, Foundation: The History of England from its Earliest Beginnings to the Tudors, (New York: Thomas Dunne Books, 2011), 443.
[2] Ibid., 51.
[3] Ibid.
[4] Ibid., 106.


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